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non fatti, ma artefatti

«non lo appunto per ricordarlo dopo, lo appunto per ricordarlo ora». Discarica di se non la realtà, che ha anche twitter.

25
Apr
beetleinabox:

Paul Klee, The Golden Fish, 1925 (Kunsthalle, Hamburg).

Extract from “Twilight Polka Dots,” by Barbara Guest (published in Fair Realism, 1989):

The lake was filled with distinguished fish purchased
at much expense in their prime. It was a curious lake, half salt,
wishing to set a tone of solitude edged with poetry.
This was a conscious body aware of shelves and wandering
rootlings, duty suggested it provide a scenic atmosphere 
of content, a solicitude for the brooding emotions.
It despised the fish who enriched the waters. Fish with
their lithesome bodies, and their disagreeable concern
with feeding. They disturbed the water which preferred
the cultivated echoes of a hunting horn. Inside a
mercantile heart the lake dwelt on boning and deboning,
skin and sharpened eyes, a ritual search through
dependable deposits for slimier luxuries. The surface
presented an appeal to meditation and surcease.

beetleinabox:

Paul Klee, The Golden Fish, 1925 (Kunsthalle, Hamburg).

Extract from “Twilight Polka Dots,” by Barbara Guest (published in Fair Realism, 1989):

The lake was filled with distinguished fish purchased
at much expense in their prime. It was a curious lake, half salt,
wishing to set a tone of solitude edged with poetry.
This was a conscious body aware of shelves and wandering
rootlings, duty suggested it provide a scenic atmosphere
of content, a solicitude for the brooding emotions.

It despised the fish who enriched the waters. Fish with
their lithesome bodies, and their disagreeable concern
with feeding. They disturbed the water which preferred
the cultivated echoes of a hunting horn. Inside a
mercantile heart the lake dwelt on boning and deboning,
skin and sharpened eyes, a ritual search through
dependable deposits for slimier luxuries. The surface
presented an appeal to meditation and surcease.

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